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Showing posts with label Classical. Show all posts
Showing posts with label Classical. Show all posts

30 July 2011

Goths would never ever listen to classical music... Part 2

*Drum roll* Here's the second part.

First from my beloved composer again (did I mention that I named my dragon soft toy Franz Liszt?^^) and as suggested from Miss Esther Romaine: "The Mephisto Waltz" inspired by Johann Wolfgang von Goethes work "Faust".




This is a great piece a friend of mine introduced to me, she started playing it on the piano and showed the complete piece. I was simply amazed, a very powerful work from Frédéric Chopin (22 February or 1 March 1810 – 17 October 1849) the so called "Revolutionsetüde" (revolution étude). It's from his first set of études dedicated to his friend Franz Liszt, the official name is "Étude Op. 10, No. 12". I'm pretty sure there's a story behind that name connected with Chopins love to his home country Poland, but I couldn't find any proper information to prove it.




Two very well known works from Ludwig van Beethoven (baptized 17 December 1770– 26 March 1827), just for completeness. He's maybe the most fancied composer of all time, so there isn't that much to say about him.
I like to listen to the whole "5th symphony" from Beethoven while cleaning up, so something boring like this gets epical^^.

Nearly played to dead by every piano beginner and in general played too often and I'm on the edge of getting annoyed of it, but here it is: "Moonlight Sonata".




My former music teacher has one obsession: György Ligeti (May 28, 1923 – June 12, 2006).In the first lesson he warned us: You will hear this name really often and you will learn to hate him. But only the first part of the sentence counts for me. I even knitted a mugwarmer (don't know if something like this exists, maybe I invented it!^^) with the inscription "Ligeti" as a christmas present for him.
If you never heard of him, I'll warn you: Ligeti was a composer from the 20th century classical music. For the majority of people this kind of music is just mind-blowing and they can't stand listening to it. But I hope you give it a try.
If you ever watched some of Stanley Kubrick's movies - like for example 2001: A Space Odyssey - and you wondered about the strange music in the background: it's from Ligeti. Here's one piece from this particular movie: "Lux Aeterna"


I found this one by accident looking for another piece I've just "lost", because somehow the folder on my computer has vanished... It's really sudden, scary and funny, but I somehow like it a lot.


This is another great piece of him I discovered. And I found an interesting description of it on the youtube commentaries:

"This piece is supposed to be a network of states which get interrupted and transformed by fixed events. It's based on a childhood dream of his in which he was caught in a web with a collection of other organisms. Every movement made by any organism, he said, would cause a massive wave of vibrations and reciprocal vibrations in the web which caused irreversible changes to take place in the web's internal structure." FutureMoth


Just a fun fact at the end: György was born in Transylvania.

Okay, maybe you have expected some a little older pieces here, but I'm talking about classical music as serious music (as people call it). Although I don't care about the name that much, I have a simliar opinion as
Kurt Weill.

"I have never acknowledged the difference between 'serious' music and 'light' music. There are only good music and bad music." Kurt Weill

As I still have some pieces I want to show you, but I just can't remember the names, maybe there will be a third part out soon ;)

28 July 2011

Goths would never ever listen to classical music... First Part

While BallerinaDark is writing an article about fighting goth stereotypes, I write a little about one I could never understand.
Goths only listen to agressive and/or depressive music. O-N-L-Y.
I know, gothic is inspired by music and lifestyle, and prejudices about the outer appearance may have developed this stereotype, but it's just not true.

I've read about this some time ago on "The Ultimate Goth Guide": A festival (don't remember which one) and a classical concert in the same town. Collision of two completely different cultures. But then people just wondered why a lot of goths also appeared on this classical concert...

I think there is a lot of classical music, that is really aesthetic, dramatic, thrilling and gloomy. I want to introduce some componists and their wonderful pieces of music to you.

The first one is a really common one and I bet you heard "In the Hall of the Mountain King" and "Morning Mood" about a thousand times. It's a piece from Edvard Grieg's (15 June 1843 – 4 September 1907) "Peer Gynt Suites", where he set the play Peer Gynt from Henrik Ibsen to music. (Honestly I haven't read it yet, but it's standing in my bookshelf, waiting for me).
The two suites contain eight pieces of music:

Suite No. 1
  1. Morning Mood (Morgenstemning)
  2. Aase's Death (Åses død)
  3. Anitra's Dance (Anitras dans)
  4. In the Hall of the Mountain King (I Dovregubbens hall)
Suite No. 2
  1. The Abduction of the Bride. Ingrid's Lament (Bruderovet. Ingrids klage)
  2. Arabian Dance (Arabisk Dans)
  3. Peer Gynt's Homecoming (Stormy Evening on the Sea) (Peer Gynts hjemfart (Stormful aften på havet))
  4. Solveig's Song (Solveigs Sång)
Here are some of my favourites you maybe havent heard that often.



I like this one a lot, I always turn the stereo up and dance and jump through the kitchen :D




I'm a big Liszt (October 22, 1811 – July 31, 1886) fan, if he would still be alive, I bet I would stand in the very first row of a concert screaming "I want a child from you!". That guy was a piano virtuose, obsessed with this instrument, practicing for hours and hours and he wrote some really great pieces for it. Mostly all of them are concerned as really hard, and though I've tried to learn the piano for some years, I still couldn't play any of these. It's sadly only for the pros.
One of my favourite is "La Campanella", one of his etudes (a piece that is meant for the piano player to practice certain techniques) inspired by a piece from Nicolo Paganini, played by the gorgeous Evgeny Kissin (look at his hair, whils he's playing^^). Everytime I listen to this, I close my eyes and goose bumps appear on my whole body.



Here's another pretty cool one from Camille Saint-Saens (9 October 1835 – 16 December 1921) the "Danse Macabre", it really seem fitting for the goth scene ;) Everytime I listen to this, I see sceletons dancing.


Let's jump from the romantic era straight to the baroque. Although I don't like Emilie Autumn that much, I found a very good performance on her Laced album of Arcangelo Corelli's (17 February 1653 – 8 January 1713) "La Folia".
I would really like to explain in short what a Folia is, but because it's a little to complicated and long for this post, I'll just redirect you to Wiki ;)



That was the first part, I'll make others, if you're interested. Feel free to make suggestions about classical stuff you like :)


sources: www.wikipedia.com
www.youtube.com

13 July 2010

Lacrimosa


Genre: Darkwave, Gothic Rock, Gothic Metal, Symphonic, Classical.
Country: Germany, moved to Switzerland.
Activity Period: 1990 - Present.
Members: Tilo Wolf: Vocals, Lyrics, Piano, Guitar, Trumpet, Fluegelhorn, Programing.
Anne Nurmi: Vocals, Lyrics, Keyboards.
Jay P Genkel: Guitar.
Dirk Wolff: Guitar.
Yenz Leonhardt: Bass.
Mane Uhlig: Drums.
Discograpny: 1990 Clamor (Demo Cassette)
1991 Angst
1992 Einsamkeit
1993 Alles Lüge
1993 Satura
1994 Schakal
1995 Inferno
1996 Stolzes Herz
1997 Stille
1998 Live (Live)
1999 Alleine zu zweit
1999 Elodia
2001 Der Morgen danach
2001 Fassade
2002 Durch Nacht und Flut
2002 Durch Nacht und Flut
2003 Echos
2005 The Party is Over
2005 Lichtgestalt
2005 Lichtgestalten EP
2007 Lichtjahre (Live)
2009 I Lost My Star
2009 Feuer
2009 Mandira Nabula
2009 Sehnsucht
1010 Schattenspiel
Videography: 1995 The Clips 1993-1995 VHS
1997 The Silent Clips VHS
2000 The Live History VHS/DVD
2005 Musikkurzfilme: The Video Collection DVD
2007 Lichtjahre: The Lacrimosa Movie DVD




Lacrimosa is a gothic band formed in Germany by Tilo Wolff in November of 1990.
Currently residing in Switzerland and is formed by the permanents members Tilo Wolff on vocals, piano, guitar, trumpet, fluegelhorn and Anne Nurmi on vocals, keyboard, synths with addition to supporting music, who have varied over the years, Jay P Genkel in guitar, Dirk Wolff in guitar, Yenz Leonhardt in bass and Mane Uhlig in drums.
Tilo Wolff is the owner of the label "Hall Of Sermon", Lacrimosa edits all his albums in it like another bands.
Lacrimosa mix musical styles such as elements of gothic metal, gothic rock, trumpet, and other classical instruments. Their lyrics are written primarily in German, although some of his albums have content in english, spanish, latin and finnish. Their songs mainly are about loneliness, sadness, darkness, despair, happiness, hope, despair, death and love.
In The Begining the songs of the band was of the Darkwave genre, with melancholic and nostalgic melodies accompained of a depresive, deep and nostalgic voice, wich is demostrated in their demo cassette "Clamor" and Their first albums "Angst" and "Einsamkeit", this last album have Gothic Rock influences wich persist in the next album "Satura" where  covers topics such as fear, helplessness, loneliness, the non-existence, lack of love and death. Every album onwards, from Satura, has a song that is taken as a single later.
In the beginning of 1994 Anne Nurmi joined to the band as a second and permanant member. She was part founder, and also a singer and keyboard player of the Finnish band Two Witches, put new emphasis within the music of Lacrimosa with her extraordinary voice and composing skills. In 1995 they released "Inferno", where Anne Nurmi full participation in the making, collaborating with her voice for the first time, in this album we can hear different music than that of their earlier work, giving it a touch heavier, using guitars, bass and keyboard, arguably, the now familiar Gothic Rock becoming in Gothic Metal, but it is not until 1997 the band releases "Stille", an album that can be described as Gothic Metal. in 1998 releases their first live album, "Live", followed by "Elodia" in 1999 reducing the power of guitars,focusing on symphonic elements with the support of the famous London Symphony Orchestra, sounds continue in the album of 2001 "Fassade", also including soft melodies. In 2003 was released "Echos", an album focused on Classical and Symphonic elements, leaving out the sounds of guitars. "Lichtgestalt" was released in 2005 whe the content again to emphasize themes of love and light using elements of Classical music and Gothic Metal. After two years of Lichtgestalt tour, in 2007 goes on sale its second live album, titled "Lichtjahre". "Sehnsuch" was released in 2009, is characterized by the clear implementation of trumpets and having a heavier sound than the previous album.
By May 2010, on the occasion of its twentieth anniversary, on sale Lacrimosa launched a new album titled "Schattenspiel". It contains 18 songs. 14 previous unreleased albums and two entirely new.

Lacrimosa is a gothic group par excellence, because they have evolve in sound, retain their original essence in some way in their compositions.








Lacrimosa - Elodia



www.lacrimosa.ch
www.myspace.com/lacrimosaofficial

09 December 2009

Sopor Aeternus & The Ensemble Of Shadows


Genre: Gothic, Classical, Baroque, Medieval, Darkwave, Dark Folk, Electronic (Unique).
Country: Sanatorium Altrosa, Germany
Activity Period: 1989 - present
 Member(s): Anna-Varney Cantodea: Voice, Lyrics, instruments, programing.
The Ensemble Of Shadows
Discography: 1991 Es Reiten Die Toten So Schnell (demo tape)
1994
1995 Todeswunsch - Sous Le Soleil De Saturne
1997 The Inexperienced Spiral Traveller
1997 Voyager - The Jugglers Of Jusa
1999 Dead Lovers' Sarabande (Face One)
2000 Dead Lovers' Sarabande (Face Two)
2001 Songs From The Inverted Womb
2003 Es Reiten Die Toten So Schnell
  2004 La Chambre D'Echo
2004 Flowers In Formaldehyde
2007 Les Fleurs Du Mal
2008 Sanatorium Altrosa
Videography: In der Palästra
Like A Corpse Standing In Desperation
2009 The Goat...and other re- animated Bodies








Sopor Aeternus & The Ensemble Of Shadows is the (group?/solo?) proyect of multi-intrumentalist Anna-Varney Cantodea. Formed in Germany in 1989 that over the years have evolved in their sound classical, baroque, medieval, gothic and even electronic music (and lately in aesthetic because beagan with a completly androgeny style till today closer to the feminine) have known keep their unique and own sound.
Basing their music, poetry and visual appearance (their "Sacred Trinity") giving emphasis in individual expresion of pain, isolation, depresion, love, unlove and touch suicides. The holistic concept best described by him/herself as "introverted exhibitionism" ritualistic/ Jungian art is not necessarily rooted in the grounds of a commonly accepted sense of aesthetics (giving to his/her work its serious and most unique character)

Little is know about the mind behind Anna, who consider her/himself as the transgendered and utterly beautiful Goddess (and likewise tragically Butoh-esque creature) (a gothic housewife and supermodel); usually not give many interviews, unless someone you trust to ensure her/his "anonymity"; and that notwithstanding the passage of time and unfortunately for us as fans of her/his art, she/he refuses to perform her/his work on live in front of humans.







Sopor Aeternus & The Ensemble Of Shadows - Dead Lovers Of Sarabande (Face One)







http://www.soporaeternus.de
http://www.myspace.com/soporaeternusofficial
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