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15 November 2013

Premature burial and the fear of being buried alive

"Fear of being buried alive is the fear of being placed in a grave while still alive as a result of being incorrectly pronounced dead. The abnormal, psychopathological version of this fear is referred to as taphophobia (from Greek taphos, "grave, tomb" and phobos, "fear"), which is translated as "fear of graves". "

This fear peaked during the cholera epidemics of the 18th and 19th centuries but accounts of live burial have been recorded further back. When his tomb was reopened, the philosopher John Duns Scotus (1266 – 1308) was reportedly found outside his coffin with his hands torn and bloody after attempting to escape. The fears of being buried alive were heightened by reports of doctors and accounts in literature and the newspapers. As well as dealing with the subject in "The Fall of the House of Usher" and "The Cask of Amontillado", Edgar Allan Poe wrote "The Premature Burial", which was published in 1844. It contained accounts of supposedly genuine cases of premature burial as well as detailing the narrator's own (perceived) interment while still alive.

A safety coffin or security coffin is a coffin fitted with a mechanism to prevent premature burial or allow the occupant to signal that they have been buried alive. A large number of designs for safety coffins were patented during the 18th and 19th centuries and variations on the idea are still available today.

The general fear of premature burial led to the invention of many safety devices which could be incorporated into coffins. Most consisted of some type of device for communication to the outside world such as a cord attached to a bell that the interred person could ring should he revive after the burial. Other variations on the bell included flags and pyrotechnics. Some designs included ladders, escape hatches, and even feeding tubes, but many forgot a method for providing air!

The first recorded safety coffin was constructed on the orders of Duke Ferdinand of Brunswick before his death in 1792. He had a window installed to allow light in, an air tube to provide a supply of fresh air, and instead of having the lid nailed down he had a lock fitted. In a special pocket of his shroud he had two keys, one for the coffin lid and a second for the tomb door.
P.G. Pessler, a German priest, suggested in 1798 that all coffins have a tube inserted from which a cord would run to the church bells. If an individual had been buried alive he could draw attention to himself by ringing the bells. This idea, while highly impractical, led to the first designs of safety coffins equipped with signalling systems. Pessler's colleague, Pastor Beck, suggested that coffins should have a small trumpet-like tube attached. Each day the local priest could check the state of putrefaction of the corpse by sniffing the odours emanating from the tube. If no odour was detected or the priest heard cries for help the coffin could be dug up and the occupant rescued.

Dr. Adolf Gutsmuth was buried alive several times to demonstrate a safety coffin of his own design, and in 1822 he stayed underground for several hours and even ate a meal of soup, sausages and beer delivered to him through the coffin's feeding tube.

The 1820s also saw the use of "portable death chambers" in Germany. A small chamber, equipped with a bell for signalling and a window for viewing the body, was constructed over an empty grave. Watchmen would check each day for signs of life or decomposition in each of the chambers. If the bell was rung the "body" could be immediately removed, but if the watchman observed signs of putrefaction in the corpse, a door in the floor of the chamber could be opened and the body would drop down into the grave. A panel could then be slid in to cover the grave and the upper chamber removed and reused.

In 1829, Dr Johann Gottfried Taberger designed a system using a bell which would alert the cemetery nightwatchman. The corpse would have strings attached to its hands, head and feet. A housing around the bell above ground prevented it ringing accidentally. An improvement over previous designs, the housing prevented rainwater from running down the tube and netting prevented insects entering the coffin. If the bell rang the watchman had to insert a second tube and pump air into the coffin with a bellows to allow the occupant to survive until the casket could be dug up.

Vester's "Burial Case" was an elaborate variation on earlier bell and cord systems.
The systems using cords tied to the body suffered from the drawback that the natural processes of decay often caused the body to swell or shift position, causing accidental tension on the cords and a "false positive". Franz Vester's 1868 "Burial Case" overcame this problem by adding a tube through which the face of the "corpse" could be viewed. If the interred person came to, they could ring the bell (if not strong enough to ascend the tube by means of a supplied ladder) and the watchmen could check to see if the person had genuinely returned to life or whether it was merely a movement of the corpse. Vester's design allowed the viewing tube to be removed and reused once death was assured.

Count Michel de Karnice-Karnicki, a chamberlain to the Tsar of Russia, patented his own safety coffin, called Le Karnice, in 1897 and demonstrated it at the Sorbonne the following year. His design detected movement in the coffin and opened a tube to supply air while simultaneously raising a flag and ringing a bell. Le Karnice never caught on: it was too sensitive to allow for even a slight movement in a decaying corpse, and a demonstration in which one of Karnice-Karnicki's assistants had been buried alive ended badly when the signalling systems failed. Luckily, the breathing tube had activated and the assistant was disinterred unharmed, but the reputation of Le Karnice was damaged beyond repair.

In 1995 a modern safety coffin was patented by Fabrizio Caselli. His design included an emergency alarm, intercom system, a torch (flashlight), breathing apparatus, and both a heart monitor and stimulator.
Despite the fear of burial while still alive, there are no documented cases of anybody being saved by a safety coffin.

Folk etymology has suggested that the phrases "saved by the bell", "dead ringer" and "graveyard shift" come from the use of safety coffins in the Victorian era.

Before the advent of modern medicine, the fear was not entirely irrational. Throughout history, there have been numerous cases of people being buried alive by accident. In 1905, the English reformer William Tebb collected accounts of premature burial. He found 219 cases of near live burial, 149 actual live burials, 10 cases of live dissection and 2 cases of awakening while being embalmed.
The 18th century had seen the development of mouth-to-mouth resuscitation and crude defibrillation techniques to revive persons considered dead, and the Royal Humane Society had been formed as the Society for the Recovery of Persons Apparently Drowned. 
In 1896, an American funeral director, T.M. Montgomery, reported that "nearly 2% of those exhumed were no doubt victims of suspended animation," although folklorist Paul Barber has argued that the incidence of burial alive has been overestimated, and that the normal effects of decomposition are mistaken for signs of life.
There have been many urban legends of people being accidentally buried alive. Legends included elements such as someone entering into the state of sopor or coma, only to wake up years later and die a horrible death. Other legends tell of coffins opened to find a corpse with a long beard or corpses with the hands raised and palms turned upward. On his deathbed in 1799, George Washington made his attendants promise not to bury him for two days.

Fear of burial alive was deeply rooted in Western culture in the nineteenth century, and Poe was taking advantage of the public's fascination with it. Hundreds of cases were reported in which doctors mistakenly pronounced people dead. In this period, coffins occasionally were equipped with emergency devices to allow the "corpse" to call for help, should he or she turn out to be still living. It was such a strong concern, Victorians even organized a Society for the Prevention of People Being Buried Alive. Belief in the vampire, an animated corpse that remains in its grave by day and emerges to prey on the living at night, has sometimes been attributed to premature burial.

06 November 2013

Introducing: VAVABEEB!

Hello there!
well i guess you are all wondering who this nut job is?
*ahem* I happen to be a new Author to this Magazine blog! I will be bringing to you tales of the paranormal and spooky things to keep those macabre hearts of yours beating ;)

A little about me:

I live in a wonderful city in Australias east, called Melbourne. It's a magical place where goths are abundant and culture is all around you at every turn.
I've always been very into Goth and the macabre since i was a young girl, preferring horror movies and JRock to what everyone else was into. I think I'm not alone when i say, i feel more comfortable and at home in an environment of gothic lace and platform boots stomping to Marilyn and Laibach, crowding towards the droning darkness instead of the sunshine pinks of the pop world (though i still like to take a taste every now and then!)

And with my love of everything gothic, i guess, came my love of horror and the paranormal too :) I hope to bring you many great tales, sources, videos and more! (maybe even some Gothic horror Games if it's received well by you all ;)
Please feel free to send me any suggestions or ideas you have of things you would love to hear or learn about in the comments below. I welcome it all!
Keep an eye out for the first of (hopefully) many posts from this crazy redhead, Vavabeeb!

Hope you are all having a delightful day :)


04 November 2013


Twixt is a 2011 horror thriller film written and directed by Francis Ford Coppola starring Val Kilmer and Elle Fanning and full of gothic elements from ghosts to vampires, and even the character of Edgar Allan Poe is involved in this movie!

Writer Hall Baltimore (Kilmer), in career decline, comes to a small town during a book tour, and becomes involved in the murder investigation of a young girl. In a dream, he is approached by a youthful ghost named V (Fanning), whose connection to the murder is unclear..

In an interview with The New York Times, Coppola discussed the origins of the film, which he said "grew out of dream [he] had last year – more of a nightmare" and "seemed to have the imagery of Hawthorne or Poe." 

He continued: "But as I was having it I realized perhaps it was a gift, as I could make it as a story, perhaps a scary film, I thought even as I was dreaming. But then some loud noise outside woke me up, and I wanted to go back to the dream and get an ending. But I couldn't fall back asleep so I recorded what I remembered right there and then on my phone. I realized that it was a gothic romance setting, so in fact I'd be able to do it all around my home base, rather than have to go to a distant country"


Time has come to recruit new collaborators for this blog as I'm left alone and I can't handle it all myself. It would be a pity to let this all fall apart especially now that the project to feature and interview Goth artists is on and many applied for this chance.

So, I'm looking 3 NEW COLLABORATORS.

If you want to start writing for this blog these are the CONDITIONS:

  • You won't be paid. You just have to collaborate for free and take this as a hobby not as a full job. The aim is just to support Goth culture and have fun!
  • This means you don't have to work regularly but at least post 1 article every 2 week. Even better if you can do this everyday, of course. 
  • Topics? Anything related to Goth culture! From macabre things, places, facts to your own goth make-up. Just go through the blog and you can see we write about everything. Just one thing: remember this is not your personal blog so it doesn't have to be all about you. If you want to write about you and your life open up your own blog. 
  • Period of trial is one month only. After that you will be advised if you are "hired or fired". 
  • Do not apply if you know you don't have much time to write.


Comment below this post and write:
  • Name or Nickname
  • Age 
  • Country
  • Your email address
  • Why you want to collaborate to this blog
  • What would you prefer to write about (ex. music, art, literature, beauty, paranormal etc)
  • On which social networks are you active (ex. Facebook, Twitter, Google+ etc.)

If you have any more questions or need some clarifications before applying, please do ask me by commenting below this post or contacting me on my Google+ profile "Melissa Dark" (link somewhere on the right side of this blog).

Thank you.

03 November 2013

The "hidden" book of Shakespeare

Quick post about something that I found yesterday: I was looking at my boyfriend's bookshelf and William Shakespeare's "Five Great Tragedies" caught my eye. I took it out of the shelf to see it closer. It was old and dusty and I think this is the main reason I noticed it among all the clean new books.

It's a 1944 print! Even more particular thing is that this was a book meant for the U.S. military so it's unusual to find one outside the US. The marking on the back of the book would encourage people to buy and send the book to boys in the army preparing to go to war. At times when computers or cell phones didn't exist, books were the only thing that could keep company to those poor men

The book contains those which I consider the best tragedies by Shakespeare: Hamlet, Romeo and Juliet, King Lear, Julius Caesar and Macbeth. I know many Goths are fond readers and love books soI thought it was a nice idea to share with you all about this finding. :)

Funny thing the bookmark was right on the page I was looking for:

Shakespeare and his tragedies have inspired many goth artists, including Emilie Autumn. This song for example is clearly inspired by the character of Ophelia.

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